Rating Scale:

12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film
10/10—the standard rating; awesome film with a couple of flaws

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Yo, what's up, peoples?

This is your friendly film, TV show, and episode reporter here with another review.

Today, for the 7th installment of my "Spook Spectacular" series, I'm gonna give you guys my take of "Signs".

Here's the rundown of it:

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More of an experience then a standard film, Paul Thomas Anderson’s sixth feature is a tightly wound, disturbing yet fascinating character study, while also providing one of the best examinations of the cult mentality put to film in recent memory.

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Rating Scale:

12/10—a complete masterpiece; flawless and outstanding
11/10—Excellent, near-perfect film
10/10—the standard rating; awesome film with a couple of flaws
9/10—a wonderful film with several flaws
8/10–a great film with numerous flaws but not enough to ruin it

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In what is possibly the most beautifully confusing cinematic experience I've had, Paul Thomas Anderson's most recent feature, and his seventh film, manages to to be an absurdest, stoned out trip down the sweaty, drug addled and sex crazed summer byways of 1970 Los Angeles, as we follow an equally absurdest and stoned out private detective as he is quickly dragged into an incomprehensible conspiracy involving hippies, Neo-Nazis allied Jewish land developers, cults, and Chinese heron dealers,

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